Whether scoring a film or making a solo album, Daniel Davies thinks cinematically. Images and story – on a movie screen, on a canvas, or flashing through his mind – inform the shape of his compositions and the sounds he uses to bring them to life. For Signals, his first solo record for Sacred Bones, the inspiration for his musical narration was a collaboration with visual artist Jesse Draxler, whose otherworldly mixed media works grace the cover and the booklet.
“I had an instant connection to Jesse’s art,” Davies explains. “One of the main concepts for this album was working with the feeling of uncertainty. Jesse’s art illustrates that perfectly with his disruptive shapes. At first, they are foreign to the landscapes they live in, but over time we become used to them, we adjust. The foreign objects force us to evolve, to accept and live with the uncertainty they create.”
Using Draxler’s images as his jumping off point, Davies created eight richly textured compositions that created a soundtrack for the unsettling world of the artwork. “Musically, I wanted to capture that same contrast — melodies evolving out of drones, haunting beds of tension with beautiful shimmering melodies laid above. What were once conflicting emotions became harmonious.”
As the songs move through the landscape, Davies calls on whatever instrumentation he needs to serve their journey. He utilizes the warbling synths and slicing guitar that have characterized his soundtrack work, but he’s also preternaturally at ease when he busts out a harpsichord and a vocal synth on lead single “Phantom Waltz.” On “Destructive Field,” he leaves space for his Halloween collaborator John Carpenter to lay down his signature sound. With the exception of that passage, all the music on the record is recorded by Davies himself.
While the results indeed feel cinematic, Davies is liberated by the absence of a film to score: “While scoring a movie, I serve the director’s vision and focus on telling a specific story. When working on an album, I’m free to create my own narrative and be more experimental.”
That freedom is evident in the many sumptuous details on Signals. It’s an album with a lot to discover, and repeat listens will reveal an inviting – if a bit unnerving – world that you’ll want to spend all day in.
bought this on vinyl yesterday and HAD to buy it on here as well. This is a prime exemple of something old, made new and exciting again. I've lost this record from the start. Very dark at times. exciting at times and crushing at others. This is a perfect instance of scifi being turned into music nocturnalmaniac
What a nice repress with special artwork. Fits perfect to the other artwork of the 1st pressing. Both in a big frame looks beautiful! Well, the record itself is awesome. Like my yellow first press, the sound is great. Don't want to talk about the music much, but I used to listen to this album during driving along the sunset near the beach at french riviera. FANTASTIC feeling! If I wouldn't know abut it I never would guess this is also Deadly A on the record. Mr.Websta